It was an ingenious enough plan: rob the Riviera Casino's count room during an Elvis impersonator convention. But Thomas Murphy decided to keep all the money for himself and shot all his partners, including recently-freed ex-con Michael Zane. With $3.2 million at stake, the Marshals Service closing in, Michael must track down Murphy.
This movie contains 1 potentially triggering events.
We don't see a sexual assault take place, BUT there may be a scene in which one has just taken place. When Costner's character arrives at a gas station, we see a man of 50-60 y.o. coming out a door, and in the room behind him is a young woman (maybe 20 y.o.) sitting on the edge of a bed, putting her clothes in order. She looks anything but happy, and both I and my co-watcher got a feeling that she'd had no choice but to have sex with the man. We also got a feeling that they were father and daughter; they both live at/by the gas station, and the ages fit. Supporting the idea that she was being abused: She's fine when the man dies, and is ecstatic to be allowed to leave with Costner and to see the gas station, her home, blow up behind them.
I wouldn't say outright abused, but there's a 12-year-old boy whose mum puts him in way riskier situations than she should - including leaving him with an armed robber she hasn't known long, only to get away with the stolen money for herself. She just says "Do what I told you" to her son (we don't know what she told him) and speeds off, and he doesn't see her again for quite a while. It's just lucky that the robber is good to him. (Well, he does give him a filter-less cigarette, but that appears to be in order to deter the boy - who just told the robber that he smokes - from becoming a smoker.) Another thing: The boy's father just up and left for good when the boy was smaller, which isn't the greatest thing to do to a child either.
No one dies by "direct suicide", but one character clearly makes the very deliberate choice to be shot dead by the police instead of surrendering. After a long multi-person gunfight between cops and robbers, only one robber is left standing, and all the policemen have their guns pointed at him, but aren't shooting, because they want to give him the chance to surrender. Everyone is proverbially holding their breath, but after a very long moment of what seems like introspection, he starts firing at them, obviously knowing full well that it'll get him killed. In other words, he does choose to die.
We don't see domestic violence taking place. However, there are two things I want to mention, because they could be triggering: 1) When Costner's character arrives at a gas station, we see a man of 50-60 y.o. coming out of a door, and in the room behind him is a young woman (maybe 20 y.o.) sitting on the edge of a bed, putting her clothes in order. She looks anything but happy, and both I and my co-watcher got a feeling that she'd had no choice but to have sex with the man. We also got a feeling that they were father and daughter; they both live at/by the gas station, and the ages fit. Notably, she's fine when the man dies, and is ecstatic to be allowed to leave with Costner and to see the gas station, her home, blow up behind them. 2) Towards the end of the movie, a man beats a woman up (in front of her 12-year-old son) to make her tell him where the money is. She falls to the ground and cries helplessly, and the son tries to comfort her. The man and the woman aren't a couple.
In my opinion, the worst thing was when someone was shot in the head and just stood there for a moment with the little round hole in his forehead. No guts, brain matter, exposed bone and stuff like that. But lots and lots of blood from gun shots. Plus two people lying dead, shot with a bow and arrow.
We don't know for sure, but it seems like there may be. When Costner's character arrives at a gas station, we see a man of 50-60 y.o. coming out of a door, and in the room behind him is a young woman (maybe 20 y.o.) sitting on the edge of a bed, putting her clothes in order. She looks anything but happy, and both I and my co-watcher got a feeling that she'd had no choice but to have sex with the man. We also got a feeling that they were father and daughter; they both live at/by the gas station, and the ages fit. She's fine when the man dies, and is ecstatic to be allowed to leave with Costner and to see the gas station, her home, blow up behind them.
Many people are shot, and there's lots of blood. One person is shot in the head up close and just stands there for a moment with a small bullet hole in his forehead. Other than I don't remember anything noteworthy.
I'm pretty sure there aren't, but there are other arachnids - scorpions. Two are simplistically animated; they fight in the intro sequence, which looks sort of like a video game. One scorpion, in the movie proper, is (or at least looks) real.
If nothing else, there's a scene in which a boy of about 10 acts as if he's shaving, putting shaving foam on his lower face and drawing a razor across his skin (of course, there's nothing there to shave off).
Bound and gagged live woman in the trunk of a car - we realise she's in there when the trunk is opened, and after it's closed again and the car drives on, we know she's still in there. Nothing is filmed inside the trunk. Elevator scenes. Boy hiding behind a shower curtain with a cold-blooded killer right on the other side of it. Maybe more.
I don't remember any, but with the movie's locations and general style, there may well be. The reason why I'm answering yes is that there's at least one scene in which we hear the sound of a rattlesnake rattling its tail - probably to add to the tension.
We don't see any gravely ill people in the movie, and I don't remember anyone having cancer. However, I'm only, like, 95% sure that there isn't a mention in passing or something like that.
David Arquette's character farts twice while doing Elvis moves next to a car. I don't remember if anyone spits, but it's more likely than not, what with the movie's general style.
Perhaps. But if so, it's not a loveable parent. Scene: When Costner's character arrives at a gas station, we see a man of 50-60 y.o. coming out of a door, and in the room behind him is a young woman (maybe 20 y.o.) sitting on the edge of a bed, putting her clothes in order. She looks anything but happy, and both I and my co-watcher got a feeling that she'd had no choice but to have sex with the man. We also got a feeling that they were father and daughter; they both live at/by the gas station, and the ages fit. Costner kills the man, and when the young woman realises that he's dead, she has no negative reaction. She asks Costner if he'll take her with him, and he does, which clearly elates her. As they're driving away, the gas station blows up behind them, and the woman cheers. ... So, if it's a father who dies in the scene, at least his daughter is happy about it. ________ Another thing I want to mention is that there's a scene in which a 12-year-old boy thinks for a few moments that a woman lying dead in something like a closet is his mum - so we get the lead-up, so to speak, to a child's reaction to realising that their parent has died. We as the audience know in advance, though, that it's not her. ... That same boy witnesses his mother being in danger for large parts of the movie, and he's present when a man whom he knows is a stonecold killer beats her up.
I'm sorry, but I'm not sure, though I don't think so. The reason why I'm answering at all is that I want to mention that we do see a human body falling through the air: A person who just died is thrown from a plane. Mercifully, we only see the body fall the first few meters, so it's very brief, and we don't see him landing, nor do we see his body afterwards.
I'm not sure if we see anyone shower in the movie, but we do see a dry bathtub/shower in a scene in which a boy is hiding. He's just standing in the tub behind the drawn curtain, waiting for the man he's hiding from to leave the bathroom. No water.
No. But I want to mention that we see someone dying traumatically in a flying helicopter, whereupon his body is thrown from it. So the combination of flying and crisis is there.
Technically, some of the characters have no home (at least that was my understanding), but that's because they just got out of prison and are planning and carrying out a robbery before going on to settle down somewhere. We don't see any "typical" homeless people, i.e. people who are clearly living on the street.