A mockumentary, rockumentary featuring the spoof radio DJ's from Harry Enfield's sketch shows. Telling of their rise to fame, their influence on music history and fall from grace in a parody of real life radio presenters.
Various dead animals preserved in jars are seen in Smashie's childhood bedroom. A coffin supposedly containing a dead puppy is presented but thankfully not opened.
Home video footage is shown of a young Smashie being physically and emotionally abused by his father, and it is implied that this barely scratches the surface. Largely played for dark humor; a sequence where Smashie listens to an audio recording of his blatantly traumatised young self might be disturbing for some.
Nicey uses distinctly derogatory terms with reference to Smashie's depression. Smashie states that his employers were initially sympathetic over his depression, but fired him when it lasted longer than three months.
Smashie and Nicey present an episode of Top of The Pops in blackface. This is framed as wrong in context, and the humor comes from Smashie and Nicey misunderstanding why people were offended.
There's a scene where Smashie visits his mother's tombstone, only to confide to the camera that she's not actually dead and he had it made pre-emptively.
Not crying per se, but Smashie's depression following the breakdown of his marriage is treated as a subject of mockery. Potentially worse for the fact that it was parodying a real episode from the life of DJ Tony Blackburn.