On the brink of a midlife crisis, 30-something Mike O'Donnell wishes he could have a "do-over." And that's exactly what he gets when he wakes up one morning to find he's 17 years old again. With his adult mind stuck inside the body of a teenager, Mike actually has the chance to reverse some decisions he wishes he'd never made. But maybe they weren't so bad after all.
theres a man on a bridge. you find out later he is luring someone else to jump. (i think hes a spirit or a ghost) so nothing happens to him.
the jumper gors back in time and is not on purpose trying to injure himself
Somewhat, There is a scene where the main character is asleep, and a woman is touching his chest under his shirt, her hand making its way to his genitals. He wakes up, frightened, jumping away from her. She continues to "playfully" pursue him sexually as he runs around the room, avoiding her. He is visibly uncomfortable, and freaked out. Repeatedly telling her he's not interested, and for her to stop. She eventually stops and no more touching or harassment continues.
No, but there's a scene that may very well be triggering: A man is standing on the railing of a high bridge over water as if to commit suicide. While the protagonist runs toward him to stop him, a car blocks the way for a split second, and when it's passed, the man is gone. The protagonist runs to the rail and looks down into the water, seeing a huge whirlpool, but not the man who stood on the railing. Thus, it appears to the proganist as well as to us viewers that the man jumped to his death, but depending on how familiar you are with this type of movie, you realise either before, at once or sooner or later afterwards that the person who seemed to have jumped didn't die.
They've already split up, are living apart and have set dates to do the official paperwork etc. for the divorce, so her starting to date isn't cheating in my eyes.
No, but there's a scene that may very well be triggering: A man is standing on the railing of a high bridge over water as if to commit suicide. While the protagonist runs toward him to stop him, a car blocks the way for a split second, and when it's passed, the man is gone. The protagonist runs to the rail and looks down into the water, seeing a huge whirlpool, but not the man who stood on the railing. Thus, it appears to the proganist as well as to us viewers that the man jumped to his death, but depending on how familiar you are with this type of movie, you realise either before, at once or sooner or later afterwards that the person who seemed to have jumped didn't die.
A teen girl tells her boyfriend that she's pregnant, and he's happy. No discussion of whether or not to keep the child. The next we see of the kid is when she herself is a teenager.
A teen girl tells her boyfriend that she's pregnant, and he's happy. Nothing bad happens with the pregnancy or birth that we know of, and the next we see of the kid is when she herself is a teenager.
There's a scene in which, speaking from his own experience, the adult-turned-teen is telling fit teen boys around him that they'll get pouches when they're older. He turns to yet another boy, drawing in breath to repeat his "prophecy", sees that the boy is overweight, then says "Never mind."
At least bordering on it, such as the words "Boy George there" referring to a boy who's wearing clothes deemed unmasculine by the speaker and some other people present.
No, BUT as you'll see coming from a mile away, the adult-turned-teen father's teen daughter becomes very sexually interested in him, not knowing that he's her dad. It gets to the point where she's sliding a hand down his upper body underneath his shirt while he's unconscious/sleeping. He wakes up and bolts from the bed, and she chases him around the room, aggressively sexy-kitten-playful and getting waaaay to close for comfort, while he does everything to stop her. In the end, he manages to ward her off, nothing more intimate having happened than the above. There's a scene before that in which she tries to kiss him, too, but the one I described is way worse.
No, but there's a scene that may very well be triggering: A man is standing on the railing of a high bridge over water as if to commit suicide. While the protagonist runs toward him to stop him, a car blocks the way for a split second, and when it's passed, the man is gone. The protagonist runs to the rail and looks down into the water, seeing a huge whirlpool, but not the man who stood on the railing. Thus, it appears to the proganist as well as to us viewers that the man jumped to his death, but depending on how familiar you are with this type of movie, you realise either before, at once or sooner or later afterwards that the person who seemed to have jumped didn't die.