Tremors
Movie • 1984
ReportSynopsis
Tall buildings and cars are shot through the Kinemacolor process, variable color filters and a water lens. Sturdiness jousts with fragility, past with present, alienation with tenderness, abrasiveness with sensuality, red with green. The camera is moving in the slick of space. Shapes vibrate selectively out of the image; others at different points in space and in turn, vibrate or flash as vibrations also vary in rhythms and intensity. The Kinemacolor process was use in 1915 to obtain fairly illusionistic colors from black and white films by filming and projecting them through synchronized, alternating red and green filters. This film, while already in color, takes advantage of many of the particularities of the system.
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Are there snakes?
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RiftWitch
Not in the literal sense, but the monsters' oral tentacles are designed to resemble snakes. The first act of the movie baits the audience into thinking that the tendrils are the whole creature.
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RiftWitch
Numerous sheep are devoured offscreen by one of the graboids. Also, the graboids themselves may or may not count, as they are portrayed as simply a dangerous but wholly natural animal.
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