If Harmony Korine and Luis Bunuel had taken a crack at co-directing Office Space it still wouldn’t be as bizarre as filmmaker Juan Ortiz’s crime/comedy/body horror filled debut.
We see the perpetrator flip a plastic shield over their face and brandish an electric carving knife. Next shot is a shot of the dog's bloody severed tail.
Against people with dwarfism, people of colour, someone with a large birthmark on their hand, the idea of a baby having potential disabilities, and someone missing part of a finger.