If architecture is "frozen music", then the facades of houses are its score. Exploring the architecture of the post-Soviet space, from wooden architecture to Baroque and classicism, from Art Nouveau to Stalinist and Khrushchev architecture, which continued in modern areas of panel new buildings, we are often called "humanists", we are trying to understand how this centuries-old symphony could sound and look, and most importantly, we find that irreconcilable conflict of personality and mass, unique and a typical one that is reflected even in the "stone".